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Datum
Di 3.6.2003, 11.00-17.00h
Workshop-Beitrag
Der Besuch dieses Workshops / dieser Veranstaltung ist kostenlos.
Hosts/Team/Trainers/Vortragende
Adam Hyde
Fragen?
Zum Kontaktformular
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Open Streaming IOpen Cultures Workshop. Introducing Open Source Audio/Video Streaming
Eine Veranstaltung im Rahmen von  Open Cultures, Sprache: Englisch, Voranmeldung erwünscht
For registration use the link "Anmeldeformular" on the right or mail to  workshop@t0.or.at
Schedule Day 1
- what is streaming?
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an introduction to the major technologies
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overview of main audio/video-codecs
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what is 'open streaming'?
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an introduction to open codecs
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an introduction to open source encoders
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an introduction to open source streaming servers
Day 2:  The Frequency Clock: Free Media System
Adam Hyde Biography
Adam Hyde is from New Zealand. He is a musician, developer and format
artist working at the convergence of broadcasting and Internet
technologies. He is one of the co-founders of r a d i o q u a l i a, an artistic collaboration with Honor Harger.
Adam has a background in television and radio in New Zealand, where he
founded the b.net radio network and Static Television, New Zealand's first
community television station. He relocated in Europe in 1999, and worked
as a producer and manager at the internet service provider, XS4ALL in
Amsterdam between 1999 - 2003. Whilst in Amsterdam, he co-founded HelpB92
and Open Channels for Kosovo, which assisted independent media in the
former Yugoslavia. He was also the initiator of Net Congestion: the
International Festival of Streaming Media, held in Amsterdam in October
2000, and a co-founder of the Open Source Streaming Alliance, an
initiative that has established several internationally distributed,
streaming media servers for arts and cultural use. He has taught new media
at the University of Amsterdam, and other institutes, and has recently
been working with the Walker Art Center in the USA.
Under the name 'eset', Adam works as a software artist and musician. He
has designed and built several applications including the Theory Machine
and the Frequency Clock. His performances as an electronic musician have
incorporated live software development as an integral and demonstrative
part of the performance.
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